While listening to a Tape Recording of Bela Bartok’s Opera “Duke Bluebeard’s Castle” is an intoxicating mix of a completely unique concept, powerful performances and a provocative subject. While Listening to a Tape Recording of Béla Bartók's Opera 'Duke Bluebeard's Castle' If Bartók's seminal one-act opera 'Duke Bluebeard's Castle' was a horrific insight into the machinations of the Duke, Pina Bausch's interpretation takes the psychological drama to a new emotional level in her Tanztheater production. You could perhaps argue at a push that it makes a kind of proto-MeToo comment on male/female interaction, but the unpleasantness here cuts both ways, so I wonder if this analysis isn’t slightly opportunistic. T he show that Tanztheater Wuppertal Pina Bausch has this week brought to Sadler’s Wells is the arrestingly – if also less-than-catchily – titled Bluebeard. Save the date. Dates Théâtre de la Ville - La Villette Paris 18.05.2021. 19.05.2021. Her dancers are frequently locked in unwinnable partnerships and her 1977 take on the Bluebeard myth – finally getting its London premiere – was an early exploration of this theme. In non-fairytale terms, the story is about abuses of power and our desire to change, save or possess other people. A bruising encounter: Pina Bausch’s Bluebeard reviewed Plus: a thoughtful new hour of dance from Cathy Marston at the Royal Ballet, based on the life of Jacqueline du Pré ina Bausch was of the “hell is other people” school of thought. She is lying on the floor on her back, forearms pointing straight up, but otherwise as rigid as a wooden puppet. The May 22 culture clash will paralyse the nation, I took up ballet aged 50 – just as I started losing my mum to dementia, How to cope with the strangeness of wearing full PPE? 20.05.2021. Kaufmann, who joined Tanztheater Wuppertal Pina Bausch as a dancer in 1987, is one of the lead restagers for this revival of Bluebeard. It is completely empty apart from the hundreds of dry, autumnal leaves strewn across it, an old-school reel-to-reel tape recorder and loudspeaker on a trolley, a wooden chair, and a man and a woman. The best hikes near London . 22.05.2021. Things to do in London this weekend: 19 - 21 March . Pina Bausch Bluebeard Sophia Preston 2008 Looking backwards in order to move forwards in an analysis of Pina Bausch’s Bluebeard Dr Sophia Preston SDHS conference 2008 A detailed structural analysis of Pina Bausch’s 1977 work Bluebeard: on listening to a tape recording of Béla Bartók’s opera “Duke Bluebeard’s Castle” reveals a multi-layered structure to the dance. May 2019. All the more so if it’s for Sadler’s Wells’ UK premiere of Bluebeard (1977), whose original title is Bluebeard. All the tropes that would become Bausch staples are present and correct: fraught, violent interpersonal relationships and sexual politics; no one seeming to communicate properly with one another other; people trapped in solipsisms of obsessive, repetitive behaviour; fleeting stabs at humour amid the gloom; lots of underwear. That (difficult, beautiful) opera is largely, as far as I can make out, about confronting the past and facing up to one’s demons, and Bausch’s piece takes a not-too-dissimilar line. 24.05.2021 . Sep 16, 2020 - Bluebeard. While Listening to a Tape Recording of Béla Bartók’s Duke Bluebeard’s Castle. 1,140 were here. Predict the winner. It lacks the comical eccentricities of her later work – and that can be punishing – but it uniquely, unequivocally makes its point. Whereas the original Bluebeard story is a horribly compelling crescendo of revelation, Bausch’s version is more about a wearying relentlessness. Theatre review of Bluebeard. And all this plays out to (thanks to the man’s constant, neurotic returning to and fiddling with the tape recorder) the curious stop-start of Bartók’s one-act expressionist opera about Bluebeard, his wife, Judith, and the seven, menacing doors that confront her when she returns home with him to his castle. Ask a puppeteer, What’s next for dance: post-Brexit bullishness, but fears of a lost British generation, Remembering The Sleeping Beauty: ‘Our ballet made you forget the horror of war’. The original folktale is a deeply disturbing story of the secrets – and the ex-wives – Bluebeard has locked up in his castle. In Bartók’s version the young wife, Judith, believes she can raise Bluebeard to the light, but instead he drags her to darkness. While listening to a Tape Recording of Bela Bartok’s Opera “Duke Bluebeard’s Castle” is an intoxicating mix of a completely unique concept, powerful performances and a provocative subject. Bluebeard review – Pina Bausch's punishing portrait of marital misery. Save the date. The full title of her work is ''Bluebeard, Listening to a Tape Recording of Bela Bartok's Opera, 'Bluebeard's Castle'; A Piece by Pina Bausch.'' While Listening to a Tape Recording of Béla Bartók’s “Duke Bluebeard’s Castle” 12 - 15 February 2020. 1,140 were here. Watching the opera, the terrifying story is all too clear. Her dancers are frequently locked in unwinnable partnerships and her 1977 take on the Bluebeard myth – finally getting its London premiere – was an early exploration of this theme. Pina Bausch's Bluebeard © Maarten Vanden Abeele The perpetual activity of the two principals is exhausting just to watch and both Tandy and Farias Heredia throw themselves headlong into the deepest recesses of vulnerability, brutality and emptiness in these challenging roles. Bluebeard chases flighty women, catches them playfully in a … Bluebeard. pina bauschBluebeard. Specifically, she was interested in the miseries visited upon each other by men and women. What Bausch shows so well are the small cycles of suffering couples put themselves through, having the same argument again and again. Pina Bausch’s first radical departure from conventional dance has lost none of its visceral power Strictly Come Dancing 2020 contestants: who has left so far? Bausch flips images, so something disturbing can suddenly become benign, and vice versa. Tanztheater Wuppertal Pina Bausch — Bluebeard. Experimental and intuitive, Tanztheater revels in the early work of late choreographer Pina Bausch, and in doing so cements her and their status as giants of the dance world. We urge you to turn off your ad blocker for The Telegraph website so that you can continue to access our quality content in the future. While Listening to a Tape Recording of Béla Bartók´s opera “Duke Bluebeard´s Castle” A Piece by Pina Bausch. 23.05.2021. Will a trip to the theatre ever be the same again? You need to be a subscriber to join the conversation. She began the transition to a more directorial role back in 2001 when Bausch asked her to become a rehearsal assistant for Sacre. Glastonbury, Eurovision, or the theatre? Tanztheater Wuppertal Pina Bausch, Bluebeard review : Where: Sadler's Wells, Rosebery Avenue, London, EC1R 4TN | MAP: Nearest tube: Angel (underground) When: 12 Feb 20 – 15 Feb 20, 19:30 Dur. Has Covid ruined Britain’s next generation of stars? It was created by the theatre pioneer (who died in 2009) way back in 1977, and is generally regarded as an early masterpiece, one of the main works with which she found her unique dance-theatre voice. Specifically, she was interested in the miseries visited upon each other by men and women. Undeniably interesting as it is to see a modern master start to shine, and fun as it is to speculate just how bracing this piece must have looked in the Seventies, the fact is that Bausch would do far more powerful, playful and multifarious works later on. Save the date. Релиз - Пина Бауш "Синяя Борода" от https://vk.com/pina_bausch A new re-staging of Pina Bausch's early work led by Helena Pikon and Barbara Kaufman and starring original cast members Jan Minarik and Beatrice Libonati. Tanztheater Wuppertal Pina Bausch, Bluebeard, Sadler’s Wells, February 14. While Listening to a Tape Recording of Béla Bartók’s “Duke Bluebeard’s Castle” (Choreography Pina Bausch, music Béla Bartók, libretto Béla Balázs) from Tanztheater Wuppertal Pina Bausch at Sadler’s Wells - reviewer: Vera Liber In Bausch’s world, it’s a man pushing a woman’s head repeatedly into his crotch. The show that Tanztheater Wuppertal Pina Bausch has this week brought to Sadler’s Wells is the arrestingly – if also less-than-catchily – titled Bluebeard. A decade later, to judge by the scramble for tickets for this early, highly experimental piece, both seem to be doing just fine. The action takes place in a large white, room, somewhere between a grand, barren Mitteleuropean drawing-room and a warehouse. Rituals and agonies … Emma Barrowman in Bluebeard. We rely on advertising to help fund our award-winning journalism. Save the date. The 2021 hot 100: the year’s best entertainment, from Bond and Cinderella to Hockney and Line of Duty, Strictly Come Dancing 2020 Final, review: message of hope as Bill Bailey and Oti Mabuse crowned champions, Strictly Come Dancing 2020 final, live: Bill Bailey and Oti Mabuse are crowned glitterball winners, Mesmerising Bill Bailey has last laugh as he seals Strictly Come Dancing victory. 4 out of 5 stars. Who will win Strictly Come Dancing 2020? This show is loosely based on Bela Bartok’s opera, Bluebeard. Bluebeard chases flighty women, catches them playfully in a sheet, then dumps them in a pile – only for the women to get up and start giggling, as if comparing gossip from the night before. “I would sit next to her, listen and observe,” explains Kaufmann. In your life, that might be sniping over wet towels left on the floor. Welcome to Pina Bausch’s Bluebeard. Although this work premiered in 1977, my first viewing is indelibly ingrained on my … The main problem with the piece, though – for all the undeniably feral energy of the company’s performance – is that while it clearly wants to have a crescendoing, layer-upon-layer power, it’s all so one-note that the dominant sensation after its interval-free hour and 50 minutes is weariness, with a sense of having got the message way before its close. Tanztheater Wuppertal Pina Bausch’s Bluebeard. Dies ist die offizielle Website der Tanztheater Wuppertal - Pina Bausch GmbH. While Listening to a Tape Recording of Béla Bartók’s “Duke Bluebeard’s Castle” (a weird and wonderful thing in… Weird and wonderful, it’s always a pleasure to step into the world of Pina Bausch and Tanztheater Wuppertal. Sadler’s Wells, LondonSet to Bartók’s opera, the bloody myth becomes a bleak battle of the sexes where we can never quite tell right from wrong, Last modified on Sun 28 Jun 2020 19.10 BST. Overview; UK PREMIERE . Darcey Bussell’s Wild Coasts of Scotland, review: Only 33 miles from Glasgow... so what's stopped her from fulfilling her lifelong ambition? Direction / Choreography. Tickets: 020 7863 8000; sadlerswells.com. The piece, catchily entitled Bluebeard. Save the date. Before long, they’re joined by a forlorn crocodile of men and women in dark suits and evening dresses, as if all sloping home together from some party that went miserably wrong. : 1 hour 50 mins no interval: Price: £15-£75 (+ booking fee) Website: Click here to book: Most popular. Read our community guidelines in full, The latest offers and discount codes from popular brands on Telegraph Voucher Codes, far more powerful, playful and multifarious works, The best theatre shows to book tickets for in 2021, in London and the UK, ‘We have to live with the risk’: Edinburgh International Festival to return outdoors in August, From King Kong to radio shock-jocks, Rambert’s Rooms is a wild dance masterpiece. Until Saturday. Pina Bausch died in 2009, leaving behind an astounding body of work. Archived Show. Bluebeard, from 1977, is a test of loyalty for even the most ardent Bausch fan. Bluebeard is an early masterpiece from 1977. Find out more, The Telegraph values your comments but kindly requests all posts are on topic, constructive and respectful. Bausch flips images, so something disturbing can suddenly become benign, and vice versa. Save the date. It has traces of the sweeping, surging dance of her earliest work but it’s a clear move into the more fractured, discomforting Tanztheater she became famed for. Falling for you: Dancers of Tanztheater Wuppertal Pina Bausch in 'Bluebeard' photo: Maarten Van den Abeele Ten years on from the death of its founder- choreographer , the Pina Bausch company finds itself at a crossroads, unwilling to limit itself to endless revivals of hits such as Café Muller or Rite of Spring , yet equally unwilling to relinquish the back catalogue altogether. In her work, anyway. In her work, anyway. Staged for the first time in over 29 years, this is the first time Pina Bausch's 1977 monumental masterpiece Bluebeard has been performed in the UK. Pina Bausch was of the “hell is other people” school of thought. The controlling Bluebeard (Christopher Tandy) is at the centre, playing Bartók’s powerful opera on an old tape recorder, starting and stopping the music, replaying phrases like obsessive thoughts. It has traces of the sweeping, surging dance of her earliest work but it’s a clear move into the more fractured, discomforting Tanztheater she became famed for. It was shelved 25 years ago, never performed in … Pina Bausch’s Bluebeard.While Listening to a Tape Recording of Béla Bartók’s “Duke Bluebeard’s Castle” premiered in 1977, just four years after she became artistic director of Tanztheater Wuppertal.In January, at Opernhaus Wuppertal, the show was restaged for the first time since 1994, the long delay due to difficulties over music rights. He, meanwhile, keeps restarting the titular Bartók opera on the machine and then climbing on top of her, whereupon, in what reads like a strange kind of parody of sexual intercourse, she pantingly pushes the two of them across the stage with her legs. Surrounding Bluebeard and Judith (Silvia Farias Heredia) the ensemble dancers amplify the rituals and agonies, running hysterically through the leaves carpeting the stage or whipping Bluebeard with their long flowing hair (a very Bauschian punishment). When Pina Bausch Made Tanz Into Tanztheater Bausch’s pivotal 1977 work “Bluebeard,” with its relentless gender battles and powerful drama, returns to the stage after a … We can never wholly judge what we’re seeing. Dies ist die offizielle Website der Tanztheater Wuppertal - Pina Bausch GmbH. Sadler's Wells Rosebery Avenue, London, EC1R. Pina Bausch : Barbe Bleue (intégrale 1 sur 12) The dancerliness of Bluebeard is evident in this other clip, too, which shows vestiges of a classical pas de deux at 5.10 and 6.30. Pina Bausch Set Design / Costumes. While Listening to a Tape Recording of Béla Bartók´s opera “Duke Bluebeard´s Castle”vhs quality Tamara Rojo fears she will 'never perform again' as lockdown cuts ballet career short, ‘It’s decimating jobs and training’: Akram Khan on how Covid is endangering British dance. While Listening to a Tape Recording of Béla Bartók's Opera 'Duke Bluebeard's Castle' - Pina Bausch Tanztheatre Wuppertal at Sadler's Wells London Feb 16, 2020 - Tanztheater Wuppertal Pina Bausch’s Bluebeard. When Pina Bausch died at the height of her creative powers in 2009, no one knew if her work or her company would survive. Stir in the fact that it has never before been performed on these shores, and that her still-surviving company – now under Bettin Wagner-Bergelt – has not “danced” it at all for a quarter of a century, and small wonder its arrival here feels like something of an occasion. At Sadler’s Wells, London, until 15 February. 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