Interview and documentary; Kairos; Kairos - Sunyata - Borderlands; L'Anatomie de la Sensation; L'Anatomie de la Sensation (excerpt) Living Archive excerpt; Maxwell Centre - Live Installation with Haroon Mirza; MсGregor + Mugler; New Wayne McGregor (Bernstein) Insight; Obsidian Tear; Orpheus and Eurydice; Outlier; PORTRAIT WAYNE MCGREGOR; PreSentient; Qualia; Rain Room; Raven Girl ; … There are already projects afoot with neighbours here in the park at BT Sport and UCL’s Bartlett School of Architecture. During Lauren Cuthbertson's solo, people in street clothes start to cross the stage, like Opie's digital crowd made flesh. Instead, the starting point is the sequencing of McGregor’s own genome. Choreographed by Wayne McGregor for the Royal Ballet Company. 1. “To give you different options,” McGregor prefers. Go behind the scenes during the rehearsal process of INFRA by acclaimed choreographer Wayne McGregor. The dancers are principals Edward Watson and Marianela Nuñez performing the pas de deux from Infra, a ballet by choreographer Wayne McGregor. The space was originally part of the Olympic media centre but instead of completely re-fitting the vast, hangar-like building, the bare walls and ceilings remain, with the studio spaces free-standing inside, like boxes piled up on top of each other. “I mean, we all repeat ourselves, it’s a function of the brain to form patterns, and artists for centuries have tried to work out how you undo those patterns.” Choreographers such as Merce Cunningham did this in the Fifties by using chance, such as by throwing dice to decide on the next move. He encourages young choreographers to select and explore something that truly inspires them and not to worry about what others think. Voluntaries, Tetley's ballet of dancers surging about in patterned body tights, needed more focus and punch. Founded in 1993 (formerly known as Random Dance Company and Wayne McGregor | … Silk Street, Barbican/Moorgate; barbican.org.uk, The experience has, however, made McGregor muse on life’s bigger questions. You can see McGregor trying things that are new for him, new for his dancers. More couples arrive, until the stage is teeming with duets. What’s clear about McGregor’s work is that the final performance you see is very much the tip of the iceberg. “I was pretty hyper,” he says. Aitor Throup designs "clothes, not costumes" for Wayne McGregor's latest production. They're all dancing different duets, but patterns start to emerge, variations or echoes of the same steps. Women snap into poses, giving their footwork a conversational rhythm. There are strong, alert performances from Benjamin, Cuthbertson and Watson, all McGregor regulars. Wayne McGregor is a man in perpetual motion. Visitors will be able to watch the spheres from a distance — “That in itself is beautiful, like when you watch a flock of birds change direction” — or walk in among them, where “you can have an interactivity with these flying objects, hopefully in a really beautiful, poetic way”. Their associate artist list is basically a who’s who of contemporary dance, counting Wayne McGregor, Matthew Bourne, Hofesh Shechter and Crystal Pite amongst its number. Company Wayne McGregor In 2009, Wayne McGregor created a diptych of works to celebrate the centenary of the magnificent Ballets Russes - Dyad 1909 in London and Dyad 1929 in Melbourne. The ballet explores the emotions that lie beneath the surface of human interactions. “I think I’m just nosy and curious and interested in things.”. Moritz Junge's costume designs are simple, putting the dancers in plain tops and trunks. McGregor's first large-scale work as the Royal Ballet's resident choreographer is a collaboration with the artist Julian Opie; this first night was filmed for BBC2. The work is far from a traditional autobiography. Other experiments are taking place elsewhere on McGregor’s schedule, with a major new work, Autobiography, premiering in October. Want an ad-free experience?Subscribe to Independent Premium. Choreographer Wayne McGregor discusses the collaboration between dance and music with Woolf Work's composer Max Richter. Everybody around me said: ‘Don’t do it, what are you going to do with that information?’” But he did, and didn’t have a moment’s pause until he was just about to open the results. Wayne McGregor is Professor of Choreography at Trinity Laban Conservatoire of Music and Dance and has Honorary Doctorates from Plymouth University, University of Leeds, University of Chester, and UAL, and is part of the Circle of Cultural Fellows at King’s College London.In 2017 he was awarded an Honorary Fellowship of the British Science Association. Wayne McGregor in interview, 2016 McGregor doesn’t have any rules in his methodology for selecting a stimulus. A choreographer's creative process in real time. But there are always ideas here, and they're always going somewhere. His dancers look delighted by the challenge. “I’ve had it in my head for ages to do something with drones,” says McGregor, “although apparently we’re not allowed to call them drones, they’re autonomous flying objects.” They are not drones in the way we might imagine them but diaphanous, spherical globes, a metre-and-a-half across. In this extended interview, Katie Razzall speaks to award winning British choreographer Wayne McGregor about his work. The world premiere of Autobiography takes place at Sadler’s Wells from 4 – 7 October 2017, visit sadlerswells.com to book. To stop him repeating himself? Infra, Wayne McGregor's world premiere for the Royal Ballet, is full of changes. That nosiness and curiosity has brought McGregor a long way. how to stay organised, how to handle difficult situations with colleagues, how to work well in a team). This, for me, is where the ethical debate is really interesting,” says McGregor. The duration is 28 minutes. Belvedere Road, Embankment/Waterloo; southbankcentre.co.uk, This old drill hall near Euston develops dancers as well as hosting performances. ‘ Vida Infra’, the Latin for ‘See Below’. +/- Human is at the Roundhouse, NW1, August 10-28; roundhouse.org.uk. In his recent dances, McGregor's steps have been just as twisty but much less brutal. Infra (2010) Bill Cooper / Royal Opera House / ArenaPAL. It’s meant to explore the feelings we hide from each other, and it speaks volumes to me … Infra, Wayne McGregor's world premiere for the Royal Ballet, is full of changes. His most recent production was the critically acclaimed Woolf Works inspired by the writings of Virginia Woolf. Everything you need to know about Wayne McGregor and why he matters, Engaged with the big questions: Wayne McGregor, Evening Standard Arts In Association With. It makes for a less finished work than his recent Chroma, with some rough edges and weaker patches. The other strand of research going into Autobiography is working with Google Cultural Institute on an inventive way of archiving 25 years of McGregor’s choreography that can tag tiny sections of movement and reorder them, to recreate one work using moves from the others, in a kind of warped retrospective. Start your Independent Premium subscription today. At 46, he seems to be much the same. Sequencing their DNA is something people normally do out of concern for their health, looking for markers of potential future illness. How do you know Wayne McGregor?Dance-goers with long memories might remember Wayne McGregor as the wunderkind who founded his own company and became resident choreographer at The Place aged just 22. The depth of process is immense, and engaged with taking on the big questions of our age, such as artificial intelligence and genomics and anything else that interests him en route. The questions revolved around previous work experience, relevant skills for the position, and how to handle different scenarios at work (e.g. We all use our body on a daily basis, and yet few of us think about our physicality the way Wayne McGregor does. Wayne McGregor and his dancers explore the uncharted territory where mind and movement intersect. It is literally an experiment.” Collisions aren’t out of the question, but the spheres are light and full of helium, so it shouldn’t be calamitous. Johan Kobborg is brilliantly creepy in the cartoon violence of The Lesson, twitching with repression and madness. It doesn't quite work: her silent howls are too big, the pacing slightly off. The studios themselves are a proposition of sorts. Nor that of the first contemporary choreographer to be resident at the Royal Ballet and his current life in Islington with partner Antoine Vereecken (a former dancer in his company) and their two dogs. The company moved in three months ago but instead of this being a haven to hide away, the aim is for it to be somewhere to invite people in, whether that’s McGregor’s many collaborators (the sculptor Edmund de Waal was here yesterday), other dance companies who are invited to use the rehearsal space for free in return for developing new outreach projects or people outside of dance. As she bounces up on pointe, Leanne Benjamin's fierce little nod suggests a quarrel with her partner, Edward Watson. It sounds great, but McGregor points out, “We’re still in test phase. The documentary gave great publicity for Wayne McGregor and Infra and he won South Bank Show award for Infra in 2009. . This isn't a story ballet, but it has dramatic elements that I had never seen from this choreographer. Max Richter's music mixes murmuring electronica with string quartet writing, scratching or mournful sweeps of sound. There are even literal dramatic gestures, a kiss or a cry. The Royal Ballet began performing there in 1946, with Margot Fonteyn performing in a gala performance of Sleeping Beauty to mark the occasion. Francesca Hayward, Cesar Corrales and Wayne McGregor in rehearsal for Live from Covent Garden, 13 June 2020. McGregor is going for the 21st-century equivalent. 6 rectangles of white light at mid-intensity line up downstage from stage left to stage right. Nothing troubling came out, just an overwhelming amount of data — 11,000 pages for just the first, basic level of analysis. McGregor burst on to the scene in the early 1990s, setting up his own company, Random Dance – now Studio Wayne McGregor – when he was just 21. The dancers are restricted to the rectangles - almost as if they are confined to seperate rooms. Islington; sadlerswells.com, The Southbank Centre’s jampacked year-round programme of multi-arts festivals always places high importance on dance. Want to bookmark your favourite articles and stories to read or reference later? The Joffrey Ballet will perform Wayne McGregor’s “Infra” as part of a triple bill of contemporary works, which fits with the mission of the company’s director, Ashley Wheater. Artists … The men come off best. We’re sitting in an aluminium Airstream caravan that serves as a meeting space on the deck of his new studios in the Olympic Park, looking out towards the velodrome. As they stroll by, she sinks to the floor, crying. Wayne McGregor talks Woolf Works ballet: 'flamboyant, very virtuosic dance' Inspired by the novelist Virginia Woolf, it is set to start at the Royal Opera House later this month Roberta Marquez makes his doomed pupil first sugary, then desolate. Wayne McGregor - in pictures. In you booklets you need to answer the questions. He has multiple ongoing projects but the next to land is +/- Human, an “experiment” with digital artists Random International (with whom he worked on the installation Rain Room at the Barbican), opening at the Roundhouse next week. Opie's set designs include a video wall: a wide strip of screen hanging over the dancers' heads. We all use our body on a daily basis, and yet few of us think about our physicality the way Wayne McGregor does. Infra is unusually good at integrating screen and live action (though a technical hitch did delay the start of this first performance). “It’s really made me think about mortality and immortality,” he says. Why you should listen. Wayne McGregor - in pictures . ... We are going to watch an interview of Wayne McGregor. It was designed by architectural practice We Not I and the place has a minimalist aesthetic, to the extent that they’ve even taken out the usual mirrors and ballet barres you’d expect in a dance studio. Wayne McGregor in rehearsals for Obsidian Tear (2016), Wayne McGregor in rehearsals for Raven Girl, Johan Persson / Royal Opera House / ArenaPAL, Wayne McGregor at the Olivier Awards with Alessandra Ferri and Adam Cooper in 2016. Woolf Works was awarded Best New Dance Production and Ferri won Outstanding Achievement in Dance, Bill Cooper / Royal Opera House / ArenaPAL. Studio Wayne McGregor offers a programme of supporting training and workshop sessions led by our artists, which will offer an introduction to the resource and application for students, in addition to further development ideas. Find your bookmarks in your Independent Premium section, under my profile. The MOVEMENT STYLE is: … The huge complex has performance spaces from the blooming big to the intimate, and in the last year has played host to bright choreographing talents including Julie Cunningham, Michael Clark, Siobhan Davies, and Ballet Black. Many of his sentences start with: “Wouldn’t it be interesting if...”. “The central question of what it is to be alive and why we want to extend life. Executive and artistic staff of The Royal Ballet at the 2012/13 Season launch. It presents all forms of contemporary dance and helps to develop original work in both its main house and the smaller Lilian Baylis Studio. Wayne McGregor 2 Company Royal ballet 3 Stimulus of dance The title infra comes from the Latin word for 'below' and the work presents a portrait of life beneath the surface of the city. What if you made a dance studio that didn’t look like a dance studio? Q: What was the initial stimulus for the choreography of Infra? The Talks. It is now home to revivals of classics by choreographers like Kenneth MacMillan and Frederick Ashton, and innovative new works by contemporary figures like Resident Choreographer Wayne McGregor. Instead of sending dancers walloping through the moves, he gives them more room to breathe, shaping his steps into phrases. Short Profile. TO know who Wayne McGregor is and what Infra is. Rupert Pennefather partners strongly, while Sergei Polunin dances with bright confidence. He was appointed Royal Ballet Resident Choreographer in 2006 and has created 12 works for the Company. McGregor responds with newly emotional dances. He is showing off his dancers' style as well as their strength and flexibility. Wayne McGregor, CBE (born 12 March 1970) is a multi award-winning British choreographer and director. They're stick people, with distinctive round Opie heads, but their body language is believably natural and easy. “Would you want to know if you were predisposed to Alzheimer’s? You can see McGregor trying things that are new for him, new for his dancers. It is a nexus of partners who explore movement, artistry, thought and partnership. Wayne McGregor speaks body language. It is home to the London Contemporary Dance School, but its 280-seat theatre hosts over 200 performances a year. There are 12 dancers, 6 male and 6 female. Below them, dancers break into characteristic McGregor moves, thrusting out hips or limbs, torsos juicily articulate. Lovers of contemporary dance will be familiar with his company Random Dance, which boasts some of the best dancers in the business and periodically brings sophisticated, hi … Infra is an episodic work, following Richter's music in solos, group dances, dramatic and pure dance moments. Sometimes the pace sags, or McGregor changes gears too obviously. McGregor’s thinking is as complex and fast-moving as his choreography. Wayne McGregor is renowned for his groundbreaking choreography and collaborations. INFRA by Wayne McGregor: The Facts Silent Starter: Three minutes to learn the below facts in preparation for a mini quiz. Studio Wayne McGregor is the creative engine for choreographer and director Wayne McGregor CBE, and the home of his life-long enquiry into thinking through and with the body. They play host to a range of international companies, from our very own English National Ballet to the Hong Kong Dance Company. It is atmospheric, though her softest lighting blurs the dancers' expressions. It’s also home to Resolution, the biggest UK festival for emerging dance companies. They are also using predictive technology that can analyse McGregor’s steps, predict what he might do next and then suggest something else. Ideas spill forth in the form of questions and propositions, not answers. Photo by Linda Nylind Wayne McGregor: “I see beauty in the dysfunctional” July 20, 2016 . This triple bill opens with Glen Tetley's Voluntaries and Flemming Flindt's The Lesson. Not the story of a boy who grew up in Stockport with parents of Scottish farming stock. “They fly very softly and elegantly, and they have algorithms based on swarming and flocking,” he explains. The Talks Interviews with figures from pop culture: fashion, film, art, music. “I did gymnastics, played in a brass band, played two instruments, I sang in a choir, I did amateur dramatics.”, His first dance classes were in ballroom and Latin and as a 15-year-old he would teach disco routines to the John Travolta wannabes at his all-boys school. This abstract ballet delves beneath the surface to present human interactions. The choreographer has long been involved in collaborations with biologists and neuroscientists, investigating the heart and the brain, and he’s interested in getting to grips with the the body at a cellular level. He speaks at a pace, long limbs animated, with the enthusiasm and ease of someone who is in exactly the right place, doing exactly what they should be doing. Wayne McGregor. Eric Underwood stands out in a swaggering solo, his torso swaying with brilliant assurance. And has created 12 Works for the Company at Sadler ’ s year-round... 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