To see what your friends thought of this book, Great contextual writing for people who are interested cross over forms of visual art and dance. It was widely adapted and interpreted by other choreographers. Her best-known dance, “Trio A,” (1966) a section of a larger work called The Mind Is a Muscle (1966–68), consisted of a simultaneous performance by three dancers that included a difficult series of circular and spiral movements. The Church was already known for the Judson Poets' Theater and Judson Art Gallery, which had been showing the work of Claes Oldenburg, Allan Kaprow, Robert Whitman, Jim Dine, and Tom Wesselmann. *FREE* shipping on qualifying offers. Marzo 2009. Rainer choreographed more than 40 concert works, including Terrain (1963). The dance consisted initially of a 5-minute sequence of movement that would eventually be presented as The Mind is a Muscle, Part I at Judson Church on January 10, 1966. Rainer choreographed… Read More Yvonne Rainer is a New York City–based choreographer who was a leading member of Judson Dance Theater, the 1960s avant-garde dance collective that rejected modern dance. Dutton, New York, 1968, p. 263-273, trad. Your mind is a muscle, the choreographer Yvonne Rainer wrote. Rainer writes about how she constructed her dances—including The Mind Is a Muscle and its famous section, Trio A, as well as the recent After Many a Summer Dies the Swan—and about turning from dance to film and back to dance. Trio A later became an independent work and was performed by Rainer and a number of other artists. Distributed for Afterall Books Graphite and ink on paper. No to the anti-heroic. This book is not yet featured on Listopia. 1:06. In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam and an expanded notion of artistic practice, Yvonne Rainer presented her evening-length work, The Mind is a Muscle, a multipart performance for seven dancers interspersed with film and text. Distributed for Afterall Books Buying Options Buying Options. Available for sale from Paula Cooper Gallery, Peter Moore, Yvonne Rainer, "Stairs" from "The Mind is a Muscle" (April 11-1968), Gelatin silver print, 12 1/… Between 1959 and 1960, she studied dance at the Martha Graham School, while learning ballet at Ballet Arts. Goodreads helps you keep track of books you want to read. There was an error retrieving your Wish Lists. This work provides an extended exploration of Yvonne Rainer's influential 1968 dance program "The Mind is a Muscle", discussing its critique of relations between labor and value, its relationship to 1960s art practice in New York, leisure time in postwar America, and the mind-body duality.In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam, and an expanded … Other articles where The Mind is a Muscle is discussed: Yvonne Rainer: …of a larger work called The Mind Is a Muscle (1966–68), consisted of a simultaneous performance by three dancers that included a difficult series of circular and spiral movements. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. A Quasi Survey of Some “Minimalist” Tendencies in the Quantitatively Minimal Dance Activity Midst the Plethora, or an Analysis of Trio A », in Battcock Gregory, Minimal Art: A critical Anthology, E.P. Yvonne Rainer The Mind is a Muscle AFTERALL By Catherine Wood PDF. Choreographer and filmmaker Yvonne Rainer was one of the founders of the Judson Dance Theater in 1962. Trio A, choreographed in 1966, became the first part of Rainer's best known performance, The Mind Is a Muscle (1966–68). And she writes about meeting her longtime partner Martha Gever and discovering the pleasures of domestic life. I … Without music, props or a mise-en-scène, the piece placed Rainer as a leader in postmodern and contemporary dance. The Mind Is a Muscle. Rainer's legacy persists through her decision to allow the Trio A from The Mind is a Muscle as a "multiple," distributed by being taught to many dancers and non-dancers, proposing, Wood argues, for the art object as code. Yvonne Rainer The Mind Is A Muscle: The Mind Is a Muscle (One Work) (Afterall) by Catherine Wood (16-Oct-2007) Paperback 12 –18. Storm and Kemistry's mix springs trapdoors throughout the dancefloors, playing Jedi Mind Tricks with your motor geometry. Please try your request again later. The mind is a muscle: Yvonne Rainer’s ‘Trio A’. Trio A (The Mind Is a Muscle, Part I) (1966) Performed by Yvonne Rainer in 1978 10 min., 5 sec. February 13, 2017 --Yvonne Rainer, STATEMENT accompanying The Mind is a Muscle, 1968 In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam, and an expanded notion of artistic practice (epitomized by "Happenings"), Yvonne Rainer presented her evening-length work, The Mind is a Muscle. For a more comprehensive list of some of its versions, see Yvonne Rainer, “ Trio A: Genealogy, Documentation, Notation,” Dance Research Journal 41, no. Choreographed by Yvonne Rainer . I find inspiration in Yvonne Rainer's methodology and works and some of the ideas I would apply to my own work in new context. Choreographer and filmmaker Yvonne Rainer was one of the founders of the Judson Dance Theater in 1962. The Mind is a Muscle first appeared in its totality at the Anderson Theater in New York in April 1968. List Price: 35.00* * Individual store prices may vary. It was widely adapted and interpreted by other choreographers. Trio A (The Mind is a Muscle, Part I) [and] Three Seascapes Additional title: 3 Seascapes and Trio A Additional title: Trio A (Choreographic work : Rainer) Additional title: Three seascapes (Choreographic work : Rainer) Names Rainer, Yvonne, 1934-(Choreographer) Rainer, Yvonne, 1934-(Dancer) Alexander, Robert, 1929-2008 (Cinematographer) Welcome back. It was the title chosen by the avant-garde choreographer Yvonne Rainer for a program of dance performances in 1966. Lauren Hough on Leaving Cults, the Military, and Bad Jobs. Yvonne Rainer's The Mind is a Muscle (1968) stripped away the gestural conventions of dance or theatre narrative in an attempt to present the human subject on her own terms while at the same time manipulating the seductiveness of the image, increasingly being harnessed by capitalism. It also analyzes reviews to verify trustworthiness. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. Trio A, a solo dance by Rainer, was initially performed in 1966 as a trio by Rainer and fellow New York choreographer-dancers David Gordon and Steve Paxton under the title The Mind is a Muscle, Part 1. Recently, she programmed "Theatre Pieces," a series of live works for the Tate Triennial 2006. No to involvement of performer or spectator. "The Mind is a Muscle." And she writes about meeting her longtime partner Martha Gever and discovering the pleasures of domestic life. Yvonne Rainer: The Mind is a Muscle (AFTERALL). Great contextual writing for people who are interested cross over forms of visual art and dance. Paperback. By Susan A. Manning. Please try again. An extended exploration of Yvonne Rainer's influential 1968 dance program The Mind is a Muscle… The Mind Is a Muscle WORK 1961-1973 By Yvonne Rainer The Press of the Nova Scotia College of Art & Design, $11.95, 338 pp. Biographie; Naissance: 24 novembre 1934 (86 ans) San Francisco. Yvonne Rainer in Mind as a Muscle dance as object=connection to visual art object turning point. Bring your club to Amazon Book Clubs, start a new book club and invite your friends to join, or find a club that’s right for you for free. ", Catherine Wood is Curator of contemporary art/performance at Tate Modern and is currently curating, with Jessica Morgan, the upcoming exhibition, "The World as a Stage." Lorip. Catherine Wood examines the political and media context in which … This work provides an extended exploration of Yvonne Rainer's influential 1968 dance program "The Mind is a Muscle", discussing its critique of relations between labor and value, its relationship to 1960s art practice in New York, leisure time in postwar America, and the mind-body duality.In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam, and an expanded … In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam and an expanded notion of artistic practice, Yvonne Rainer presented her evening-length work, The Mind is a Muscle, a multipart performance for seven dancers interspersed with film and text. Rainer's emphasis on ordinary motions and gesture is readily apparent, and the dance is an exploration of action rather than a vehicle for dramatic storytelling. I find it interesting to see how Rainer worked has been influenced by the political and critical situation in America during post Vietnam war; Feminism and Minimalism movements; capitalism and NY street crown movement; Jungian theories; her inner self discovery and desire for. 7 Yvonne Rainer, « The mind is a muscle. Download Yvonne Rainer The Mind is a Muscle AFTERALL By Catherine Wood PDF. Start by marking “Yvonne Rainer: The Mind Is a Muscle” as Want to Read: Error rating book. Browse more videos. yvonne rainer : trio a – the mind is a muscle, part i 1966 Video November 23, 2016 Greg Letson Leave a comment Choreographed by Yvonne Rainer, 1966 & Performed by Yvonne Rainer … Help others learn more about this product by uploading a video! Title: Yvonne Rainer - The Mind is a Muscle Author:Catherine Wood Year:2007 Publisher: Afterall: London. There are no discussion topics on this book yet. Let us know what’s wrong with this preview of, Published Yvonne Rainer: The Mind Is a Muscle. Rainer included "Trio A" from The Mind is a Muscle along with references from other earlier works--a red ball, books, a gift, mattresses. It now became a focal point for vanguard dance activity and concerts of dance. Por Ivonne Reiner. Yvonne Rainer . February 13, 2017. Title: Yvonne Rainer - The Mind is a Muscle Author:Catherine Wood Year:2007 Publisher: Afterall: London. I find inspiration in Yvonne Rainer's methodology and works and some of the ideas I would apply to my own work in new context. For Wood, The Mind is a Muscle proposed a new model of artwork that presents a dynamic tension between materiality and idea. She has regularly published articles in. There it was performed by Yvonne Rainer, David Gordon and Steve Paxton simultaneously but not in unison. Catherine Wood examines the political and media context in which Rainer chose to use the dance-theatre situation and analyses her radical approach to image-making in live form. Yvonne Rainer Trio A The Mind Is a Muscle, Part I, 1966 - YouTube. ... Dia: Beacon, Yvonne Rainer, October 2011/February 2012/May 2012. “I'm in a weird place because the book is about to come out. 4. Esprit de Corps. The choreographer, dancer, writer, and filmmaker Yvonne Rainer was born in San Francisco in 1934 and moved to New York in the 1950s, where she helped cofound the Judson Dance Theater in 1962. --Yvonne Rainer, STATEMENT accompanying TheMind is a Muscle, 1968 In 1968, toward the end of a decade thatwitnessed civil rights protests, the escalation of the war in Vietnam, and anexpanded notion of artistic practice (epitomized by "Happenings") YvonneRainer presented her evening-length work, The Mind is a Muscle. Proyectado en el Museum of Modern Art, NY. Play Portrait of a Dancer: Lauren Cuthbertson. Catherine Wood, Yvonne Rainer: The Mind Is a Muscle (London: Afterall Books, 2007); Carrie Lambert-Beatty, Being Watched: Yvonne Rainer and the 1960s (Cambridge, Mass. Your mind is a muscle, the choreographer Yvonne Rainer wrote. Top subscription boxes – right to your door, © 1996-2021, Amazon.com, Inc. or its affiliates. Created in 1966 and performed for the camera in 1978, Trio A (The mind is a muscle, part I) is one of Yvonne Rainer's most iconic dance pieces. Yvonne Rainer, STATEMENT accompanying The Mind is a Muscle, 1968 In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam, and an expanded notion of artistic practice (epitomized by "Happenings"), Yvonne Rainer presented her evening-length work, The Mind is a Muscle. Yvonne Rainer in Mind is a Muscle "in 1964, I began to play around with simple one-and-two motion phrases that required no skill and little energy and contained few accents...movement as task or movement as object." Other articles where The Mind is a Muscle is discussed: Yvonne Rainer: …of a larger work called The Mind Is a Muscle (1966–68), consisted of a simultaneous performance by three dancers that included a difficult series of circular and spiral movements. Feelings Are Facts: The Life of Yvonne Rainer - VQFF 2015. Yvonne Rainer; Dance; Performance Art; More to Love. You're listening to a sample of the Audible audio edition. The dance consisted initially of a 5-minute sequence of movement that would eventually be presented as The Mind is a Muscle, Part I at Judson Church on January 10, 1966. Be the first to ask a question about Yvonne Rainer. No to the heroic. Yvonne Rainer s’impose comme une figure centrale de l’avant-garde des années 1960 et 1970 tant pour son approche révolutionnaire de la chorégraphie et sa contribution à l’histoire de la nouvelle danse que pour sa trajectoire de cinéaste expérimentale qui marque la seconde partie de sa carrière. Catherine Wood examines the political and media context in which Rainer c. In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam and an expanded notion of artistic practice, Yvonne Rainer presented her evening-length work, The Mind is a Muscle, a multipart performance for seven dancers interspersed with film and text. Yvonne Rainer. In 1966, she premiered Trio A, the first section of her work The Mind is a Muscle. Hardcover. In 1962, at the age of 27, Rainer, Steve Paxton, and Ruth Emerson approached the Reverend Al Carmines at the Judson Memorial Church to ask if they could begin performing there. Yvonne Rainer: Trio A A look at the avant-garde dancer's iconic piece. List Price: 16.00* * Individual store prices may vary. She applied the behavior pattern of daily life to the dance and express the idea via dance (muscle). In 1965 Yvonne Rainer produced her No Manifesto for dance: No to spectacle. No to virtuosity. EXPOSITION - The Yvonne Rainer Project : Lives of Performers [entretien avec les commissaires] Fun. No to camp. Performance of Yvonne Rainer’s The Mind is a Muscle: Trio A, Judson Memorial Church, Greenwich Village, New York, 1966 “Judson Dance Theater was a collective of dancers, composers, and visual artists who performed at the Judson Memorial Church in Greenwich Village, Manhattan New York City between 1962 and 1964. No to the glamour and transcendency of the star image. There are 0 customer reviews and 2 customer ratings. In Yvonne Rainer. Yvonne Rainer (née le 24 novembre 1934 à San Francisco dans l'état de la Californie) est une danseuse, chorégraphe, essayiste, poétesse américaine, figure de proue de la danse postmoderniste et minimaliste. Film by Yvonne Rainer Yvonne Rainer The Mind is a Muscle By Catherine Wood. No to transformations and magic and make-believe. There was a problem loading your book clubs. --Yvonne Rainer, STATEMENT accompanying The Mind is a Muscle, 1968 In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam, and an expanded notion of artistic practice (epitomized by "Happenings"), Yvonne Rainer presented her evening-length work, The Mind is a Muscle. Honoured! In 1966, she premiered Trio A, the first section of her work The Mind is a Muscle. Catherine Wood. Anna Halprin: Breath Made Visible. A gift from the Visual Arts department director. Visit www.FunBookMix.com for more fun book audio reviews! Unable to add item to List. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Rainer writes about how she constructed her dances—including The Mind Is a Muscle and its famous section, Trio A, as well as the recent After Many a Summer Dies the Swan—and about turning from dance to film and back to dance. Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. It was widely adapted and interpreted by other choreographers. In Jay Majik's Space Jam, the bass is lithe and limber, slipping between loops and holes, sparring with your shadow, moving in tight, tuning your peripheral perceptions, training your reflexes. Something went wrong. Full content visible, double tap to read brief content. Please try again. RELATED TOPICS. Filmow. Summary: This book introduce how and why she did write the dance by analyzing The Mind is a Muscle. The name serves as a reminder that intellectual history has often overlooked dance as an area of inquiry. Yvonne Rainer . Dancer, choreographer, filmmaker and writer Yvonne Rainer (born 1934, lives in New York) is widely acknowledged as having played a key role in revolutionising post-war dance, inspiring generations of … This is an audio summary of Yvonne Rainer: The Mind is a Muscle (AFTERALL) by Catherine Wood. No to style. I plan to participate in the four-day workshop to be hosted by the VCA. Trio A (The Mind is a Muscle, Part I) Choreographed by Yvonne Rainer Contemporary American choreographer and dancer, Yvonne Rainer's August 1978 performance of 'Trio A (The Mind is a Muscle, Part I)'. Yvonne Rainer The Mind Is A Muscle: The Mind Is a Muscle (One Work) (Afterall) by Catherine Wood (16-Oct-2007) Paperback on Amazon.com. There it was performed by me, David Gordon, and Steve Paxton simultaneously but not in unison. To get the free app, enter your mobile phone number. « The Yvonne Rainer Project » vise à montrer le rayonnement kaléidoscopique de cett Buy. She applied the behavior pattern of daily life to the dance and express the idea via dance (muscle). No to trash imagery. Yvonne Rainer by Catherine Wood available in Hardcover on Powells.com, also read synopsis and reviews. Contemporary American choreographer and dancer, Yvonne Rainer's August 1978 performance of 'Trio A (The Mind is a Muscle, Part I)'. Summary: This book introduce how and why she did write the dance by analyzing The Mind is a Muscle. Interesting to read about Rainer's networking with practitioners that are now very establishes like Allan Kaprow, Merce Cunningham, John Cage, Trisha Brown, Anna Halprin, Laure Anderson, Lucy Lippard, Robert Morris and many others. Find all the books, read about the author, and more. Trio A. Yvonne Rainer, 1966 from The Mind is a Muscle--evening length dance for 6 people first section. Report. In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam and an expanded notion of artistic practice, Yvonne Rainer … YVONNE RAINER : TRIO A – THE MIND IS A MUSCLE, PART I 1966 Video November 23, 2016 Greg Letson Leave a comment Choreographed by Yvonne Rainer, 1966 & Performed by Yvonne Rainer August 14, 1978. Yvonne Rainer The Mind is a Muscle By Catherine Wood. After spending her childhood and adolescence in San Francisco, Yvonne Rainer moved to New York in 1956. Rainer's legacy persists through her decision to allow the Trio A from The Mind is a Muscle as a "multiple," distributed by being taught to many dancers and non-dancers, proposing, Wood argues, for the art object as code. --Yvonne Rainer, STATEMENT accompanying The Mind is a Muscle, 1968 In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war in Vietnam, and an expanded notion of artistic practice (epitomized by "Happenings"), Yvonne Rainer presented her evening-length work, The Mind is a Muscle. It grew out of a composition class taught by Robert Dunn, a musician … Amazon (print or Kindle) Buy; Barnes & Noble. 6. I find it interesting to see how Rainer worked has been influenced by the political and critical situation in America during post Vietnam war; Feminism and Minimalism movements; capitalism and NY street crown movement; Jungian theories; her inner self discovery and desire for direct dialogue with audience through her works. It was widely adapted and interpreted by other choreographers. 04:35 . Yvonne Rainer in Mind as a Muscle dance as object=connection to visual art object Yvonne Rainer: Trio A A look at the avant-garde dancer's iconic piece. The Getty Research Institute 2006.M.24 Section 5: The Mind Is a Muscle, 1966–1968 “Short Version” of The Mind Is a Muscle Judson Memorial Church, New York, 1966 Photograph by Peter Moore Gelatin silver print The Getty Research Institute 2 (Winter 2009), pp. The Mind Is a Muscle. 03:05. Buy; IndieBound . Play. Just a moment while we sign you in to your Goodreads account. Refresh and try again. In Jay Majik's Space Jam, the bass is lithe and limber, slipping between loops and holes, sparring with your shadow, moving in tight, tuning your peripheral perceptions, training your reflexes. Dancefloors, playing Jedi Mind Tricks with your motor geometry and 1960, she studied dance at the Martha School... 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